Ryan and his associates secured the manufacturing materials in secret so as to avoid attracting unwanted attention. When the multiverse, alternate dimensions, and time-travel gets in the picture, it is inevitable that several theories will start to pop up. Things finally came to a head in 1958 when Ryan attempted to arrest Fontaine but Fontaine, resisting arrest, was killed in the ensuing shootout between his goons and Ryan's forces. In the By 1960, Fontaine—posing as Atlas—was feeling the pressure of Ryan's legion of pheromone-controlled Splicer forces. Over the course of the games much of the city is either damaged or destroyed, no organized maintenance is set in place, and whatever remains of the population is either dead or driven insane by ADAM addiction. However, despite its apparent success, cracks soon began to emerge within Rapture's society, specifically, between the social classes. Everybody wanted ADAM, everybody needed ADAM and as a result of that, Fontaine's power and influence over Rapture increased greatly and he soon begun to draw up plans for exploiting the class differences of Rapture to overthrow Andrew Ryan and take over Rapture for himself. Rapture makes a brief appearance near the climax of Rapture is an underwater city, located in the north When the player experiences the city, roughly one/ten years after the collapse of its society (one year in As described in the games' backstory and through in-game audio recordings, the city of Rapture was envisioned by the Though residents were hand-picked for their success on the surface, as time passed, the gap between rich and poor increased. This was exploited by Frank Fontaine, a businessman in charge of the plasmid industry who secretly established an illegal smuggling ring with the outside world while simultaneously creating charitable organizations to manipulate the underclass.
Being a pure individualist capitalist society that focused exclusively on the pursuit of profit, Rapture subtly begun to condone things such like greed, elitism and other negative aspects related to capitalism which soon began to drive a wedge between the upper and lower classes of society. The city also briefly appears in BioShock Infinite, and is featured in its downloadable content, Burial at Sea. Rapture is a fictional city in the BioShock series published by 2K Games. This enabled a man named Frank Fontaine to build a criminal empire through smuggling goods from the surface, allowing him to obtain the funds to finance the creation of a sprawling ADAM industry. This included the city's food, health care, sanitation and even its oxygen supply. He had escaped Belarus just before it became a part of the Soviet Union under the rule of Communism and had worked his way to become an industrial mogul in America. In contrast to Ryan's belief of empowering the individual, Lamb's ideals are favoring the collective, and she is able to build "The Family", a cult-like following of the remaining citizens of Rapture to achieve her goals. This would-be utopia had its flaws. Initially admiring Frank Fontaine's success and citing him as a prime example of the kind of individual Rapture was aiming to create, Andrew Ryan soon begun to suspect Fontaine of various crimes, including the ongoing smuggling problem. These resources were then transported by ships like the From its initial opening to inhabitation in 1946 onwards, Rapture flourished. Other Places is a series of short films celebrating beautiful videogame worlds. It is an underwater city that is the main setting for the games BioShock and BioShock 2.
Elizabeth reveals that Sally is alive, and that a local artist named Sander Cohen (T. Ryder Smith) may have information regarding her whereabouts. Andrew Ryan's hostility and paranoia of "Parasites", and others exploiting Rapture's freedoms to seize power resulted in him issuing an edict, declaring that all contact with the outside world be severed in order to ensure Rapture's safety by keeping the city's existence secret from the surface world, now in the midst of the Cold War. The game's back-story describes the city as envisioned by business tycoon Andrew Ryan in the mid-1940s as a means to create a utopia for mankind's greatest artists and thinkers to prosper in a laissez-faireenvironment outside of increasing oppression b…
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